© 2022 janna dyk

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  1. Untitled (Journals Found & Kept), 2018 - ongoing, analogue photographs of handwritten journal entries, found and created, size variable. When a family member passed away in 2017 and an uncle suggested handing-around her journals as everyone fiddled reflectively about the living room after her memorial service, I began thinking about this weird and intimate posthumous portrait of selfhood that is one’s private written life. For instance, we read several of her unsent love poems to someone who seemed to be a coworker... to our knowledge, a relationship never actualized, never acknowledged verbally. Apparently upon her death, Sontag’s own journals too held an emotional rhizome, atypical of the pointed thought so marked by her other writing... How do our inner thoughts carry into life actions and perceptions that implicate the world beyond our front door? EXHIBITIONS & COLLECTIONS: 2021 Writ, group exhibition, curated by Sarah E. Brook, Sweet Lorraine Gallery, Brooklyn, NY. 2019 Install/Deinstall, experimental group exhibition, curated by Gabriela Vainsencher, 601 ArtSpace, NY, NY. 2018 “Instant Satisfaction,” group exhibition, Happy Lucky No.1, curated by Andrew Zaca, Brooklyn, NY. 2018 Private Psychotherapy Practice, Downtown Manhattan, NY.

    Untitled (Journals Found & Kept), 2018 - ongoing, analogue photographs of handwritten journal entries, found and created, size variable.

    When a family member passed away in 2017 and an uncle suggested handing-around her journals as everyone fiddled reflectively about the living room after her memorial service, I began thinking about this weird and intimate posthumous portrait of selfhood that is one’s private written life. For instance, we read several of her unsent love poems to someone who seemed to be a coworker... to our knowledge, a relationship never actualized, never acknowledged verbally. Apparently upon her death, Sontag’s own journals too held an emotional rhizome, atypical of the pointed thought so marked by her other writing... How do our inner thoughts carry into life actions and perceptions that implicate the world beyond our front door?

    EXHIBITIONS & COLLECTIONS:

    2021 Writ, group exhibition, curated by Sarah E. Brook, Sweet Lorraine Gallery, Brooklyn, NY.

    2019 Install/Deinstall, experimental group exhibition, curated by Gabriela Vainsencher, 601 ArtSpace, NY, NY.

    2018 “Instant Satisfaction,” group exhibition, Happy Lucky No.1, curated by Andrew Zaca, Brooklyn, NY.

    2018 Private Psychotherapy Practice, Downtown Manhattan, NY.

    "I'm not thinking right now..."  2013 Book (published 1960s) with embroidered thread, graphite and needle. Installation view from "Unravelled," Beirut Art Center, curated by Rachel Dedman and Marie Muraccolie, with artists Majd Abdel Hamid, Mounira Al Solh, Yto Barrada, Taysir Batniji, Alighiero e Boetti, Michele Cohen, Janna Dyk, Mona Hatoum, Sheila Hicks, Annette Messager, Khalil Rabah, Karen Reimer, Nasri Sayegh, Laure Tixier, and Raed Yassin. I'M NOT THINKING RIGHT NOW - EXHIBITIONS & PRESS: 2016 Unravelled, group exhibition, Beirut Art Center, curated by Marie Muracciole, Rachel Dedman, Lebanon. "Unravelled," The New York Times, Global Art Section, September 9, 2016 "Sortir la broderie de son carcan << domestique et pas sexy>>," L'Orient Du Jour, October 6, 2016 *Excerpt: "Sortir la broderie de son carcan << domestique et pas sexy>>," L'Orient Du Jour, October 6, 2016 "Et aussi dans I am not thinking right now de Janna Dyk qui vient chambouler l'ordre des choses en insérant des fils partout au-dessus des pages de The Origins and History of Consciousness, un ouvrage de Erich Neumann qui corrobore la pensée controversée de Carl Jung qui prétendait que la conscience est un attribut strictement masculin. La preuve qu'on peut piocher dans un « art du passé », et, avec, inventer l'avenir."

    "I'm not thinking right now..." 

    2013

    Book (published 1960s) with embroidered thread, graphite and needle.

    Installation view from "Unravelled," Beirut Art Center, curated by Rachel Dedman and Marie Muraccolie, with artists Majd Abdel Hamid, Mounira Al Solh, Yto Barrada, Taysir Batniji, Alighiero e Boetti, Michele Cohen, Janna Dyk, Mona Hatoum, Sheila Hicks, Annette Messager, Khalil Rabah, Karen Reimer, Nasri Sayegh, Laure Tixier, and Raed Yassin.

    I'M NOT THINKING RIGHT NOW - EXHIBITIONS & PRESS:

    2016 Unravelled, group exhibition, Beirut Art Center, curated by Marie Muracciole, Rachel Dedman, Lebanon.

    "Unravelled," The New York Times, Global Art Section, September 9, 2016

    "Sortir la broderie de son carcan << domestique et pas sexy>>," L'Orient Du Jour, October 6, 2016

    *Excerpt:

    "Sortir la broderie de son carcan << domestique et pas sexy>>," L'Orient Du Jour, October 6, 2016

    "Et aussi dans I am not thinking right now de Janna Dyk qui vient chambouler l'ordre des choses en insérant des fils partout au-dessus des pages de The Origins and History of Consciousness, un ouvrage de Erich Neumann qui corrobore la pensée controversée de Carl Jung qui prétendait que la conscience est un attribut strictement masculin. La preuve qu'on peut piocher dans un « art du passé », et, avec, inventer l'avenir."

    &quot;I'm not thinking right now...&quot;&amp;nbsp; 2013 Book (published 1960s) with embroidered thread, graphite and needle. Installation view from &quot;Unravelled,&quot; Beirut Art Center, curated by Rachel Dedman and Marie Muraccolie, with artists Majd Abdel Hamid, Mounira Al Solh, Yto Barrada, Taysir Batniji, Alighiero e Boetti, Michele Cohen, Janna Dyk, Mona Hatoum, Sheila Hicks, Annette Messager, Khalil Rabah, Karen Reimer, Nasri Sayegh, Laure Tixier, and Raed Yassin. I'M NOT THINKING RIGHT NOW - EXHIBITIONS &amp;amp; PRESS: 2016 Unravelled, group exhibition, Beirut Art Center, curated by Marie Muracciole, Rachel Dedman, Lebanon. &quot;Unravelled,&quot; The New York Times, Global Art Section, September 9, 2016 &quot;Sortir la broderie de son carcan &amp;lt;&amp;lt; domestique et pas sexy&amp;gt;&amp;gt;,&quot; L'Orient Du Jour, October 6, 2016 *Excerpt: &quot;Sortir la broderie de son carcan &amp;lt;&amp;lt; domestique et pas sexy&amp;gt;&amp;gt;,&quot; L'Orient Du Jour, October 6, 2016 &quot;Et aussi dans&amp;nbsp;I am not thinking right now&amp;nbsp;de Janna Dyk qui vient chambouler l'ordre des choses en ins&amp;eacute;rant des fils partout au-dessus des pages de The Origins and History of Consciousness, un ouvrage de Erich Neumann qui corrobore la pens&amp;eacute;e controvers&amp;eacute;e de Carl Jung qui pr&amp;eacute;tendait que la conscience est un attribut strictement masculin. La preuve qu'on peut piocher dans un &amp;laquo;&amp;nbsp;art du pass&amp;eacute;&amp;nbsp;&amp;raquo;, et, avec, inventer l'avenir.&quot;

    "I'm not thinking right now..." 

    2013

    Book (published 1960s) with embroidered thread, graphite and needle.

    Installation view from "Unravelled," Beirut Art Center, curated by Rachel Dedman and Marie Muraccolie, with artists Majd Abdel Hamid, Mounira Al Solh, Yto Barrada, Taysir Batniji, Alighiero e Boetti, Michele Cohen, Janna Dyk, Mona Hatoum, Sheila Hicks, Annette Messager, Khalil Rabah, Karen Reimer, Nasri Sayegh, Laure Tixier, and Raed Yassin.

    I'M NOT THINKING RIGHT NOW - EXHIBITIONS & PRESS:

    2016 Unravelled, group exhibition, Beirut Art Center, curated by Marie Muracciole, Rachel Dedman, Lebanon.

    "Unravelled," The New York Times, Global Art Section, September 9, 2016

    "Sortir la broderie de son carcan << domestique et pas sexy>>," L'Orient Du Jour, October 6, 2016

    *Excerpt:

    "Sortir la broderie de son carcan << domestique et pas sexy>>," L'Orient Du Jour, October 6, 2016

    "Et aussi dans I am not thinking right now de Janna Dyk qui vient chambouler l'ordre des choses en insérant des fils partout au-dessus des pages de The Origins and History of Consciousness, un ouvrage de Erich Neumann qui corrobore la pensée controversée de Carl Jung qui prétendait que la conscience est un attribut strictement masculin. La preuve qu'on peut piocher dans un « art du passé », et, avec, inventer l'avenir."

    is / this / it / ? / . / this / it 2016-19 is this it? is a series of Digital C-Prints of hand-embroidered texts, whose meaning alter poetically depending on the way they are installed in a space.

    is / this / it / ? / . / this / it

    2016-19

    is this it? is a series of Digital C-Prints of hand-embroidered texts, whose meaning alter poetically depending on the way they are installed in a space.

    is / this / it / ? / . / this / it 2016-19 is this it? is a series of Digital C-Prints of hand-embroidered texts, whose meaning alter poetically depending on the way they are installed in a space.

    is / this / it / ? / . / this / it

    2016-19

    is this it? is a series of Digital C-Prints of hand-embroidered texts, whose meaning alter poetically depending on the way they are installed in a space.

    is / this / it / ? / . / this / it 2016-19 is this it? is a series of Digital C-Prints of hand-embroidered texts, whose meaning alter poetically depending on the way they are installed in a space.

    is / this / it / ? / . / this / it

    2016-19

    is this it? is a series of Digital C-Prints of hand-embroidered texts, whose meaning alter poetically depending on the way they are installed in a space.

    &amp;ldquo;how (blur), fig. 2&amp;rdquo;, 2015Digital C-Print on Matte Archival PaperDimensions variable, 24 x 30 in. From: To Tell You 2014-2015 To Tell You is a series of photographs, a video, and a text, examining the nature of conversations, remembered. Installation photos by Adam Golfer of the May-June 2015 group exhibition at 205 Hudson Gallery (New York). A revised version of the text was performed at the St. Mark's Poetry Project (New York), in November 2015, and again in May 2017 at the Marble House Project (Vermont).

    “how (blur), fig. 2”, 2015
    Digital C-Print on Matte Archival Paper
    Dimensions variable, 24 x 30 in.

    From:

    To Tell You

    2014-2015

    To Tell You is a series of photographs, a video, and a text, examining the nature of conversations, remembered.

    Installation photos by Adam Golfer of the May-June 2015 group exhibition at 205 Hudson Gallery (New York).

    A revised version of the text was performed at the St. Mark's Poetry Project (New York), in November 2015, and again in May 2017 at the Marble House Project (Vermont).

    &amp;ldquo;view (collage for cell phone), I &amp;amp; II&amp;rdquo;, 2015Digital C-Print on Matte Archival Paper8x10 in. each From: To Tell You 2014-2015 To Tell You is a series of photographs, a video, and a text, examining the nature of conversations, remembered. Installation photos by Adam Golfer of the May-June 2015 group exhibition at 205 Hudson Gallery (New York). A revised version of the text was performed at the St. Mark's Poetry Project (New York), in November 2015, and again in May 2017 at the Marble House Project (Vermont).

    “view (collage for cell phone), I & II”, 2015
    Digital C-Print on Matte Archival Paper
    8x10 in. each

    From:

    To Tell You

    2014-2015

    To Tell You is a series of photographs, a video, and a text, examining the nature of conversations, remembered.

    Installation photos by Adam Golfer of the May-June 2015 group exhibition at 205 Hudson Gallery (New York).

    A revised version of the text was performed at the St. Mark's Poetry Project (New York), in November 2015, and again in May 2017 at the Marble House Project (Vermont).

    &amp;ldquo;Sit here, -&amp;rdquo;, 2015Embroidery and needlepoint on canvas13x19 in.

    “Sit here, -”, 2015
    Embroidery and needlepoint on canvas
    13x19 in.

    &quot;conversational mathematics&quot;Rice-paper book with ink and embroidery2013

    "conversational mathematics"
    Rice-paper book with ink and embroidery
    2013

    &quot;Certain people,&quot; graphite and embroidery on paper, 2013 EXHIBITIONS/PRESS: Shall We Talk, or Will We Just Gaze?,&amp;rdquo; Hunter College 205 Hudson, NY, 2013. &amp;ldquo;Janna Dyk: Shall We Talk, or Will We Just Gaze?,&amp;rdquo; Curator Magazine, May 2014^

    "Certain people," graphite and embroidery on paper, 2013

    EXHIBITIONS/PRESS:

    Shall We Talk, or Will We Just Gaze?,” Hunter College 205 Hudson, NY, 2013.

    “Janna Dyk: Shall We Talk, or Will We Just Gaze?,” Curator Magazine, May 2014^

    &quot;Through a Glass Dimly,&quot; interactive performance, in &quot;All Of The Above&quot; curated by Michael Benrube and Keena Gonzalez, at The Church Of St Paul The Apostle. Image (c) 2013 JML Photo.

    "Through a Glass Dimly," interactive performance, in "All Of The Above" curated by Michael Benrube and Keena Gonzalez, at The Church Of St Paul The Apostle. Image (c) 2013 JML Photo.

    &quot;Through a Glass Dimly,&quot; interactive performance, in &quot;All Of The Above&quot; curated by Michael Benrube and Keena Gonzalez, at The Church Of St Paul The Apostle. Image (c) 2013 Keena Gonzalez. All rights reserved.

    "Through a Glass Dimly," interactive performance, in "All Of The Above" curated by Michael Benrube and Keena Gonzalez, at The Church Of St Paul The Apostle. Image (c) 2013 Keena Gonzalez. All rights reserved.

    21 DAYS For three weeks in 2009, pre-selfie-culture, 36 people from 6 countries were asked to take a photo and write of themselves, sent to the artist.&amp;nbsp; In 2020 the project&amp;rsquo;s documents were excavated for an exhibition on technology and vulnerability. EXHIBITIONS, AFFILIATED PROGRAMMING, PRESS, BIBLIOGRAPHY: 2020 &amp;ldquo;Redirect,&amp;rdquo; group exhibition, curated by Suzanne Dittenbar, Tiger Strikes Asteroid SE /Revolve/RAMP Gallery, Asheville, NC, Jan. 24 - Feb. 24. 2020 Panel discussion on technology and changing sociopolitical landscapes, with&amp;nbsp;Lei Han, Joyce Lee, Ben Duvall, and Victoria Bradbury, RAMP, Asheville, NC, Jan.&amp;nbsp; 2020 &amp;nbsp; &amp;ldquo;Slow Connection: TSA presents REDIRECT in Asheville,&amp;rdquo; BURNAWAY Art Review,&amp;nbsp;Feb. 13, 2020&amp;nbsp; 2020 &amp;nbsp; &amp;nbsp;Essay by Paddy Johnson, Exhibition Catalogue, TXTbooks&amp;nbsp;(Brooklyn) and TSA SE (Asheville).

    21 DAYS

    For three weeks in 2009, pre-selfie-culture, 36 people from 6 countries were asked to take a photo and write of themselves, sent to the artist.  In 2020 the project’s documents were excavated for an exhibition on technology and vulnerability.

    EXHIBITIONS, AFFILIATED PROGRAMMING, PRESS, BIBLIOGRAPHY:

    2020 “Redirect,” group exhibition, curated by Suzanne Dittenbar, Tiger Strikes Asteroid SE /Revolve/RAMP Gallery, Asheville, NC, Jan. 24 - Feb. 24.

    2020 Panel discussion on technology and changing sociopolitical landscapes, with Lei Han, Joyce Lee, Ben Duvall, and Victoria Bradbury, RAMP, Asheville, NC, Jan. 

    2020   “Slow Connection: TSA presents REDIRECT in Asheville,” BURNAWAY Art Review, Feb. 13, 2020 

    2020    Essay by Paddy Johnson, Exhibition Catalogue, TXTbooks (Brooklyn) and TSA SE (Asheville).

    • 1

      Untitled (Journals Found & Kept), 2018 - ongoing, analogue photographs of handwritten journal entries, found and created, size variable.

      When a family member passed away in 2017 and an uncle suggested handing-around her journals as everyone fiddled reflectively about the living room after her memorial service, I began thinking about this weird and intimate posthumous portrait of selfhood that is one’s private written life. For instance, we read several of her unsent love poems to someone who seemed to be a coworker... to our knowledge, a relationship never actualized, never acknowledged verbally. Apparently upon her death, Sontag’s own journals too held an emotional rhizome, atypical of the pointed thought so marked by her other writing... How do our inner thoughts carry into life actions and perceptions that implicate the world beyond our front door?

      EXHIBITIONS & COLLECTIONS:

      2021 Writ, group exhibition, curated by Sarah E. Brook, Sweet Lorraine Gallery, Brooklyn, NY.

      2019 Install/Deinstall, experimental group exhibition, curated by Gabriela Vainsencher, 601 ArtSpace, NY, NY.

      2018 “Instant Satisfaction,” group exhibition, Happy Lucky No.1, curated by Andrew Zaca, Brooklyn, NY.

      2018 Private Psychotherapy Practice, Downtown Manhattan, NY.

    • 2

      "I'm not thinking right now..." 

      2013

      Book (published 1960s) with embroidered thread, graphite and needle.

      Installation view from "Unravelled," Beirut Art Center, curated by Rachel Dedman and Marie Muraccolie, with artists Majd Abdel Hamid, Mounira Al Solh, Yto Barrada, Taysir Batniji, Alighiero e Boetti, Michele Cohen, Janna Dyk, Mona Hatoum, Sheila Hicks, Annette Messager, Khalil Rabah, Karen Reimer, Nasri Sayegh, Laure Tixier, and Raed Yassin.

      I'M NOT THINKING RIGHT NOW - EXHIBITIONS & PRESS:

      2016 Unravelled, group exhibition, Beirut Art Center, curated by Marie Muracciole, Rachel Dedman, Lebanon.

      "Unravelled," The New York Times, Global Art Section, September 9, 2016

      "Sortir la broderie de son carcan << domestique et pas sexy>>," L'Orient Du Jour, October 6, 2016

      *Excerpt:

      "Sortir la broderie de son carcan << domestique et pas sexy>>," L'Orient Du Jour, October 6, 2016

      "Et aussi dans I am not thinking right now de Janna Dyk qui vient chambouler l'ordre des choses en insérant des fils partout au-dessus des pages de The Origins and History of Consciousness, un ouvrage de Erich Neumann qui corrobore la pensée controversée de Carl Jung qui prétendait que la conscience est un attribut strictement masculin. La preuve qu'on peut piocher dans un « art du passé », et, avec, inventer l'avenir."

    • 3

      "I'm not thinking right now..." 

      2013

      Book (published 1960s) with embroidered thread, graphite and needle.

      Installation view from "Unravelled," Beirut Art Center, curated by Rachel Dedman and Marie Muraccolie, with artists Majd Abdel Hamid, Mounira Al Solh, Yto Barrada, Taysir Batniji, Alighiero e Boetti, Michele Cohen, Janna Dyk, Mona Hatoum, Sheila Hicks, Annette Messager, Khalil Rabah, Karen Reimer, Nasri Sayegh, Laure Tixier, and Raed Yassin.

      I'M NOT THINKING RIGHT NOW - EXHIBITIONS & PRESS:

      2016 Unravelled, group exhibition, Beirut Art Center, curated by Marie Muracciole, Rachel Dedman, Lebanon.

      "Unravelled," The New York Times, Global Art Section, September 9, 2016

      "Sortir la broderie de son carcan << domestique et pas sexy>>," L'Orient Du Jour, October 6, 2016

      *Excerpt:

      "Sortir la broderie de son carcan << domestique et pas sexy>>," L'Orient Du Jour, October 6, 2016

      "Et aussi dans I am not thinking right now de Janna Dyk qui vient chambouler l'ordre des choses en insérant des fils partout au-dessus des pages de The Origins and History of Consciousness, un ouvrage de Erich Neumann qui corrobore la pensée controversée de Carl Jung qui prétendait que la conscience est un attribut strictement masculin. La preuve qu'on peut piocher dans un « art du passé », et, avec, inventer l'avenir."

    • 4

      is / this / it / ? / . / this / it

      2016-19

      is this it? is a series of Digital C-Prints of hand-embroidered texts, whose meaning alter poetically depending on the way they are installed in a space.

    • 5

      is / this / it / ? / . / this / it

      2016-19

      is this it? is a series of Digital C-Prints of hand-embroidered texts, whose meaning alter poetically depending on the way they are installed in a space.

    • 6

      is / this / it / ? / . / this / it

      2016-19

      is this it? is a series of Digital C-Prints of hand-embroidered texts, whose meaning alter poetically depending on the way they are installed in a space.

    • 7

      “how (blur), fig. 2”, 2015
      Digital C-Print on Matte Archival Paper
      Dimensions variable, 24 x 30 in.

      From:

      To Tell You

      2014-2015

      To Tell You is a series of photographs, a video, and a text, examining the nature of conversations, remembered.

      Installation photos by Adam Golfer of the May-June 2015 group exhibition at 205 Hudson Gallery (New York).

      A revised version of the text was performed at the St. Mark's Poetry Project (New York), in November 2015, and again in May 2017 at the Marble House Project (Vermont).

    • 8

      “view (collage for cell phone), I & II”, 2015
      Digital C-Print on Matte Archival Paper
      8x10 in. each

      From:

      To Tell You

      2014-2015

      To Tell You is a series of photographs, a video, and a text, examining the nature of conversations, remembered.

      Installation photos by Adam Golfer of the May-June 2015 group exhibition at 205 Hudson Gallery (New York).

      A revised version of the text was performed at the St. Mark's Poetry Project (New York), in November 2015, and again in May 2017 at the Marble House Project (Vermont).

    • 9

      “Sit here, -”, 2015
      Embroidery and needlepoint on canvas
      13x19 in.

    • 10

      "conversational mathematics"
      Rice-paper book with ink and embroidery
      2013

    • 11

      "Certain people," graphite and embroidery on paper, 2013

      EXHIBITIONS/PRESS:

      Shall We Talk, or Will We Just Gaze?,” Hunter College 205 Hudson, NY, 2013.

      “Janna Dyk: Shall We Talk, or Will We Just Gaze?,” Curator Magazine, May 2014^

    • 12

      "Through a Glass Dimly," interactive performance, in "All Of The Above" curated by Michael Benrube and Keena Gonzalez, at The Church Of St Paul The Apostle. Image (c) 2013 JML Photo.

    • 13

      "Through a Glass Dimly," interactive performance, in "All Of The Above" curated by Michael Benrube and Keena Gonzalez, at The Church Of St Paul The Apostle. Image (c) 2013 Keena Gonzalez. All rights reserved.

    • 14

      21 DAYS

      For three weeks in 2009, pre-selfie-culture, 36 people from 6 countries were asked to take a photo and write of themselves, sent to the artist.  In 2020 the project’s documents were excavated for an exhibition on technology and vulnerability.

      EXHIBITIONS, AFFILIATED PROGRAMMING, PRESS, BIBLIOGRAPHY:

      2020 “Redirect,” group exhibition, curated by Suzanne Dittenbar, Tiger Strikes Asteroid SE /Revolve/RAMP Gallery, Asheville, NC, Jan. 24 - Feb. 24.

      2020 Panel discussion on technology and changing sociopolitical landscapes, with Lei Han, Joyce Lee, Ben Duvall, and Victoria Bradbury, RAMP, Asheville, NC, Jan. 

      2020   “Slow Connection: TSA presents REDIRECT in Asheville,” BURNAWAY Art Review, Feb. 13, 2020 

      2020    Essay by Paddy Johnson, Exhibition Catalogue, TXTbooks (Brooklyn) and TSA SE (Asheville).

    Select artworks, 2012 - present

  2. Exhibitions:

    2021    “Winter Light,” group exhibition, organized by Sasha Chavchavadze (Footnote Gallery), Gowanus Dredgers, December, Brooklyn, NY.

    2021    “Writ,” group exhibition,  curator Sarah E. Brook, Sweet Lorraine Gallery, Brooklyn, NY.

    2020    “Projections on Empathy,” curator James Czarzan, Famous Chimps, a non-corporeal gallery, Brooklyn, NY.

    2020    “Redirect,” group exhibition, curator Suzanne Dittenbar, Tiger Strikes Asteroid SE/Revolve/RAMP Gallery, Asheville, NC.

    2019    ascent/assent, group exhibition, curator Joyce Lee, Buckley Memorial Gallery, Madeleine L’Engle Foundation, New York.

    2019    Install/Deinstall, experimental group exhibition, curator Gabriela Vainsencher, 601 ArtSpace, New York.

    2019    Every Woman Biennial, group exhibition, 222 Broadway, curator C. Finley, New York, NY.

    2018    “Instant Satisfaction,” group exhibition, Happy Lucky No.1, curator Andrew Zaca, Brooklyn, NY.

    2018    “Art and Friendship,” group exhibition, Green Door Gallery, curator Paul Anel.  Williamsburg, Brooklyn

    2017    Various Existential Angsts, group exhibition, NARS Gallery, curator Eriola Pira, Brooklyn, NY.

    2016    Unraveled, group exhibition, Beirut Art Center, curator Marie Muracciole, Rachel Dedman, Beirut, Lebanon.

    2015    Empty, group exhibition, curator Janna Luttrell, Buckley Memorial Gallery, NY.

    2015    Hunter MFA Graduate Exhibition, 205 Hudson Gallery, New York, NY.

    2014    Double Take, group exhibition, curator Brooke Tomillo, Youme Haus, Williamsburg, NY.

    2014    Legacy, group exhibition, curator Lorinne Lee, Silverdale, WA.

    2014    Art Auction, juried exhibition, Novella Gallery, New York, New York.   

    2014    “Shall We Talk or Will We Gaze?,” solo exhibition, 201 Hudson Gallery Project Space, New York, NY.

    2013    The Big Question, group exhibition, curator Keena Gonzalez, Michael Berube, Openings, New York, NY.

    2013    Traveling Exhibition, group exhibition, curator Elisa Clark, Brooklyn, NY.

    2013    DETOUR, May, 2013, group exhibition, Local Project, curator Elisa Clark, Long Island City, NY.

  3. ((Like all of us, page under construction...))

  4. &quot;'Sometimes the curtains part...,' 1/6 - 3/10/86, 11/01 - 11/03/21,&quot; engagements 1-22

    "'Sometimes the curtains part...,' 1/6 - 3/10/86, 11/01 - 11/03/21," engagements 1-22

    • 1

      "'Sometimes the curtains part...,' 1/6 - 3/10/86, 11/01 - 11/03/21," engagements 1-22

    • 2
    • 3

    Untitled (Journals Found & Kept), 2018 - ongoing, analogue photographs of handwritten journal entries, found and created, size variable.

    When a family member passed away in 2017 and an uncle suggested handing-around her journals as everyone fiddled reflectively about the living room after her memorial service, I began thinking about this weird and intimate posthumous portrait of selfhood that is one’s private written life. For instance, we read several of her unsent love poems to someone who seemed to be a coworker... to our knowledge, a relationship never actualized, never acknowledged verbally. Apparently upon her death, Sontag’s own journals too held an emotional rhizome, atypical of the pointed thought so marked by her other writing... How do our inner thoughts carry into life actions and perceptions that implicate the world beyond our front door?

    EXHIBITIONS & COLLECTIONS:

    2021 Writ, group exhibition, curated by Sarah E. Brook, Sweet Lorraine Gallery, Brooklyn, NY.

    2019 Install/Deinstall, experimental group exhibition, curated by Gabriela Vainsencher, 601 ArtSpace, NY, NY.

    2018 “Instant Satisfaction,” group exhibition, Happy Lucky No.1, curated by Andrew Zaca, Brooklyn, NY.

    2018 Private Psychotherapy Practice, Downtown Manhattan, NY.

  5. "I'm not thinking right now..." 

    2013

    Book (published 1960s) with embroidered thread, graphite and needle.

    Installation view from "Unravelled," Beirut Art Center, curated by Rachel Dedman and Marie Muraccolie, with artists Majd Abdel Hamid, Mounira Al Solh, Yto Barrada, Taysir Batniji, Alighiero e Boetti, Michele Cohen, Janna Dyk, Mona Hatoum, Sheila Hicks, Annette Messager, Khalil Rabah, Karen Reimer, Nasri Sayegh, Laure Tixier, and Raed Yassin.

    I'M NOT THINKING RIGHT NOW - EXHIBITIONS & PRESS:

    2016 Unravelled, group exhibition, Beirut Art Center, curated by Marie Muracciole, Rachel Dedman, Lebanon.

    "Unravelled," The New York Times, Global Art Section, September 9, 2016

    "Sortir la broderie de son carcan << domestique et pas sexy>>," L'Orient Du Jour, October 6, 2016

    *Excerpt:

    "Sortir la broderie de son carcan << domestique et pas sexy>>," L'Orient Du Jour, October 6, 2016

    "Et aussi dans I am not thinking right now de Janna Dyk qui vient chambouler l'ordre des choses en insérant des fils partout au-dessus des pages de The Origins and History of Consciousness, un ouvrage de Erich Neumann qui corrobore la pensée controversée de Carl Jung qui prétendait que la conscience est un attribut strictement masculin. La preuve qu'on peut piocher dans un « art du passé », et, avec, inventer l'avenir."

  6. Revising the Text(s)

    ongoing, 2017-

    A series of photographs and writings that experiment with the ever-evolving quality of mental space in its attempt to land on understandings.

    EXHIBITIONS, BIBLIOGRAPHY, & AFFILIATED READINGS: 

    2020 “Twelve Labors: #3,” curated by Rachel Hillery, Hercules Art, NY, January.

    2019 “Mimeo Microphone,” St. Mark’s Poetry Project, curated by Laura Henriksen, performative reading, Nov. 4.

    2018 “Revising the Text(s),” ArtSlant, abridged e-book with hypertext (offered), edited by Joel Kuennan.

    2017 Various Existential Angsts, group exhibition, NARS Gallery, curated by Eriola Pira, Brooklyn, NY, Sept.

    2017 OPEN STUDIOS, Marble House Project, Vermont, May.